“I was with my team on probably the first or second day of shooting. It was all hands on deck and we were throwing fake dirt on the actors because I was like, ‘It has to be dirtier’ — and we were already up to our elbows in fake dirt and distressing the material,” says Janie Bryant. “And I turned to my team and said, ‘I didn’t think that I was ever going to be back here again. But here we are.’” The veteran costume designer relates in her Tennessee drawl, and sounding a little like Al Pacino’s Michael Corleone rejoining the Mafia family, that she’s in a place she endearingly calls “Western-ville.” And she’s all in, outfitting a literal cast of thousands for Taylor Sheridan’s sprawling drama 1883, which premiered this week on Paramount+ as the prequel to the streamer’s hit drama Yellowstone, and is getting the biggest numbers for a cable debut since 2015. Bryant, who garnered an Emmy for her costumes on the HBO series Deadwood, has been in these parts before. But in the interim, she became practically a household name herself as the era-defining mastermind of Mad Men’s cosmopolitan ‘60s fashions, and not incidentally also…
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