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“If you are not from Venezuela, you better shut the fuck up!” begins an Instagram video of a woman with long dark hair explaining how Venezuelans have suffered under Maduro’s rule. This sums up one of the defining attitudes of political discourse in 2026. Since the start of the  year, my social media feed has been awash with content creators from Venezuela, Cuba, and Iran trying to convince us that they are reliable sources of information and unchallengeable authorities simply by virtue of being from the countries that the US government is currently trying to enact regime change in. Front-facing camera videos and infographics dispensed by both well-meaning but useless liberals stuck in 2016, and bad-faith, right-wing stooges who seem to have discovered a passion for identity politics despite spending the last ten years railing against ‘woke’, tell us that the only legitimate way to form political opinions on these complex geopolitical issues is by “ listening to X voices” . This conflation of lived experience – or even tangential ethnic connection – with expertise has led to genuinely farcical instances of political commentary that would be hilarious if they weren’t so harmful. We are told to accept that “

With Overwatch kicking off a brand new era under the Season 1: Reign of Talon banner, Blizzard Entertainment is giving players another reason to tune into Twitch. The developer has activated its Season 1 Twitch Drops campaign, offering fans a straightforward way to earn in-game lootboxes just by watching their favorite Overwatch content creators go live. What's Up for Grabs The Twitch Drops campaign runs from February 11, 2026 to March 9, 2026, giving players just under a month to collect everything on offer. In total, players can earn up to 10 lootboxes across the full viewing window. The reward pool breaks down as follows: 7 x S1 Lootboxes (standard tier) 3 x S1 Legendary Lootboxes (guaranteed Legendary Skin per box) What surprised most players is how the Legendary boxes are distributed. Standard S1 lootboxes carry a low probability of dropping Legendary Skins, while each S1 Legendary Lootbox guarantees one. It's worth noting that if a player has accumulated 19 lootboxes total from the game's existing systems, the 20th automatically contains a guaranteed Legendary Skin as well. These seven S1 boxes from the Drops campaign help push players closer to that threshold. Viewing Schedule: How Many Hours You Need Rewards

CEO, Bluesky Social Jay Graber speaks on stage during 2025 Fast Company's Most Innovative Companies Summit & Gala at Jacob Javits Center on June 5, 2025 in New York City. Eugene Gologursky | Getty Images Bluesky CEO Jay Graber said Monday that she will be stepping down and transitioning to the company's chief innovation officer. Graber announced the transition in a post on the platform. "As Bluesky matures, the company needs a seasoned operator focused on scaling and execution, while I return to what I do best: building new things," Graber wrote. The announcement names Toni Schneider, former CEO of WordPress.com parent Automattic and a partner at True Ventures, as the interim CEO. Graber wrote in the announcement that both Automattic and True Ventures are investors in Bluesky. Bluesky was founded within Twitter by Jack Dorsey in 2019. Graber became CEO of Bluesky in 2021, spinning it off from Twitter into its own company. Bluesky and Twitter worked closely until Elon Musk acquired the platform, now known as X, in 2022. The entities ended the service agreement in late 2022. Read more CNBC tech news Musk's takeover and name change shook up the social media landscape as Meta CEO Mark

The new single by Jennifer Cooper is an upbeat pop track inspired by the unexpected moment a former friend sent a Facebook friend request, reopening feelings that had long been set aside. The song captures feelings of nostalgia, confusion and growth that can surface from a simple notification. With sharp, relatable lyrics and infectious pop energy, Cooper transforms a modern social media moment into a story about boundaries, reflection and emotional maturity. “I was like, ‘I don’t really know how to process these emotions,’ so while my dad was on the phone with my grandparents, I picked up my guitar and wrote this entire song,” she said. Her first official release, the single introduces her as a fresh voice in pop by blending personal storytelling with contemporary themes that resonate in today’s digital world. Cooper, who earned her bachelor’s degree in psychology from WVU, brings emotional awareness and honesty to her songwriting. The single is available on all streaming services. For more information and upcoming announcements, follow Mon Hills Music Group on social media and streaming platforms and visit monhillsrecords.com  » Read More

There’s no loyalty when it comes to feeding Phil. When Phil Rosenthal first made the act of feeding him a national concern, the Everybody Loves Raymond co-creator asked the average TV viewer to fund his eating habits, which consist of traveling the world, enjoying various culinary delicacies, and expressing joy with a wide-eyed, close-mouthed smile. However, much like the once-publicly funded Sesame Street, those greedy streamers placed Phil’s gluttony behind a paywall, and from 2018 through 2025, the somebody feeding Phil was the world’s biggest streamer. Now a bona fide restaurateur himself, who makes his money feeding others, Rosenthal has found a new hand to feed him: YouTube.  Per The Hollywood Reporter , YouTube will begin picking up Rosenthal’s checks starting in 2027, with Rosenthal saying Somebody Feed Phil‘s move to YouTube is intended to make the show more accessible. YouTube won’t have exclusive rights to feeding Phil, mind you. In a new deal with his production company, Lucky Bastards, and Banijay Americas, the show will also appear on FAST and AVOD services free of charge to viewers. Apparently unhappy with Netflix’s velvet rope approach to his millionaire-muckbang routine, Rosenthal said in a statement, “One of the things I always

Two elements of Undertone should be commended. One is Nina Kiri’s lead performance. Undertone isn’t exactly a one-woman show, although most of the Kiri’s co-stars are restricted to voiceovers. The only other onscreen performer spends the majority of the film incapacitated. Despite lacking a screen partner to work off of, Kiri is utterly convincing as a woman who’s either going mad or falling victim to the madness closing in on her. This madness is conveyed less through the film’s visuals and more from its sound, which is the other element that deserves praise. Sound in general is one aspect of film that we often take for granted. In Undertone, David Gertsman’s sound design and Dane Kelly’s sound mixing are so meticulous that you don’t just hear a clock tick. You feel every movement of the clock hands. It’s just as effective and Oscar-worthy as the use of sound in A Quiet Place, but Undertone is more understated in its approach. Between Kiri’s performance and the chilling sound effects, a part of me wants to recommend Undertone. The film falls short, however, in a key area: the story. The film is a slow burn, and by the time we see what

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