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🎭 NEW! UK Theatre Newsletter Get all the top news & discounts for UK & beyond. There's magic in every moment of the new digital release of Emma Rice's remarkable stage adaptation of A Child's Christmas in Wales. Filmed live at the Emma Rice Company's home venue The Lucky Chance – a converted chapel in Somerset that seats 80 – adapter/director Rice captures the heart of Dylan Thomas's famous Christmas poem, with its rolling rhythm and evocative imagery that will appeal to all ages. Don't expect grand West End special effects, as the joy of Rice's sell-out show is its simplicity. There's a small cast of four, with a diminutive Katy Owen as swaggering Thomas, delivering his wondrous words in true Richard Burton-esque fashion. Katy Owen in A Child's Christmas in Wales Photo credit: Steve Tanner Owen and her fellow performers ­– excellent Tom Fox, Robyn Sinclair and Simon Oskarsson ­– multi-skill like mad as various Welsh villagers, including Mrs Prothero and her son Jim (a charming Fox) the local postman and Aunty Dosie. Sinclair's Aunty Hannah sings a beautiful song about bleeding hearts and death, while Oskarsson is superb on the trumpet. This is pure physical theatre, with slapstick

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Posted on Dec 26, 2025 in DOCARE, Main, News Releases, slider JOSH GREEN, M.D. GOVERNOR DAWN CHANG CHAIRPERSON RECRUITMENT FOR STATE CONSERVATION OFFICERS BEGINS JANUARY 3 HONOLULU – Recruitment for 53 entry-level officers with DLNR’s Division of Conservation and Resources Enforcement (DOCARE) opens Jan. 3, 2026. Vacancies for these highly coveted officer positions are located across the state. “Protecting Hawai‘i’s natural, cultural, historical and recreational resources is a unique privilege,” said DOCARE Chief Jason Redulla. “Interest has always been high for this important job. With the dynamic working environment we have here in Hawai‘i, and the limited number of spots available, we expect that trend to continue.  We thank the State Legislature for recognizing the importance of this work and for providing both the positions and funding needed to train and equip our officers.” “Our area of responsibility is vast and spans from mauka to makai and three miles out-to-sea,” Redulla added. “There’s no shortage of work to be done and we look forward to increasing our ranks with dedicated people.” Conservation and Resources Enforcement Officer (CREO I) positions are full-time, permanent civil service roles. The recruitment will be advertised at the State of Hawai‘i jobs website (www.jobs.hawaii.gov), operated by

December 25, 2025 2 min read Add Us On Google Add SciAm From the first sighting of a colossal squid in the wild to a seriously goofy octopus, 2025 delivered some astounding photos from the ocean’s depths By Andrea Thompson edited by Jeanna Bryner The mystery mollusk Bathydevius caudactylus observed at a depth of approximately 1,550 meters. It has a wide, paddlelike tail with several fingerlike projections called dactyls that may help with defense. © 2021 MBARI Join Our Community of Science Lovers! A lot of weird-looking life-forms lurk in the deep sea, and this year we got some spectacularly close looks at several of them, including a goofy Doctor Who–esque octopus, alienlike Antarctic dwellers and the first-ever footage of a colossal squid in the wild. We’ve rounded up a few of our favorite ocean oddities below. ‘Mystery Mollusk’ Is a Mystery No More For more than two decades, scientists at California’s Monterey Bay Aquarium Research Institute have occasionally spotted a little translucent creature in the ocean’s “midnight zone.” The gelatinous blob uses a hood surrounding its head to catch prey and has detachable tentacles; its hood and tail are decorated with glowing blue-green dots. This year, scientists finally figured

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December 24, 2025 2 min read Add Us On Google Add SciAm Watch Scientific American's Favorite Science Videos of 2025 On TikTok and other short-form video platforms, Scientific American explored the underground labs of Greenland, brand-new colors and the perfect way to make eggs By Carin Leong edited by Andrea Thompson Join Our Community of Science Lovers! From mind-bending discoveries to playful explainers, these are some of our favorite—and most popular—science videos of 2025. For breaking science news, unexpected discoveries and stories that make you see the world differently, follow us on TikTok, Instagram and YouTube. Brand-New Color Drops On supporting science journalism If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today. One of the most talked about stories of the year explored the limits of human perception. Scientists successfully stimulated the experience of a brand-new color, called “olo,” by firing lasers into participants’ retinas to activate only “green” cone cells. The result is a teal-like hue that exists outside the visible spectrum. Hey, Scientific American . Welcome to My Lab We also took

Vimeo used to be the place where your best work looked better, loaded cleaner, and felt like it belonged in a serious portfolio. If you shoot photos and video, the platform you choose can quietly shape how clients judge your work before they ever reply. Coming to you from Matt Johnson, this sharp video walks through how Vimeo separated itself from YouTube in the late 2000s, right when DSLR video started changing what small crews could pull off. Johnson points to the moment when Canon EOS 5D Mark II footage stopped looking like a compromise and started looking like a choice. Vimeo leaned into higher-quality playback and a cleaner viewing experience, with fewer distractions built into the player. That mattered if you were sharing a cut to sell a look, not chase clicks. It also set expectations: once people got used to that level of presentation, everything else started to feel slightly cheaper. Johnson also gets into how Vimeo built status around curation, not volume, and how that shaped what people uploaded. Staff Picks was not just a playlist, it was a career accelerant for a certain kind of creator who cared about craft and pacing. He describes a collaborative