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ZEISS has unveiled the latest member of its Otus ML series, the Otus ML 1.4/35, continuing the brand's legacy of high-performance optics. The Zeiss Otus ML 1.4/35, a precise, high-end manual-focus prime lens for photographers and videographers. , /PRNewswire/ -- Zeiss has just announced the latest addition to its Otus ML lens family with the new Zeiss Otus ML 1.4/35. Designed for precise creative expression, this manual-focus lens brings Zeiss' renowned optical performance and natural color rendition to the latest and greatest mirrorless systems. YouTube First look Video about Otus ML 1.4/35 lens Zeiss 1.4/35 joins an existing line-up including the 1.4/50 and 1.4/85. What sets the Otus ML line apart from other mirrorless lenses is its finely machined manual focusing system The Zeiss 1.4/35 joins an existing line-up including the 1.4/50 and 1.4/85. What sets the Otus ML line apart from other mirrorless lenses is its finely machined manual focusing system. With Zeiss, manual focus is not just a technique, it's a process that ensures every frame is captured with artistic intent. True to the brands legacy of precision optics, the 1.4/35 provides fine control, accurate down to the millimeter. What good are such precise focusing capabilities without the optical

Football fans better be ready to watch more games on YouTube in the future.  The platform is the favorite to land a four-game slate of regular-season contests that the NFL kept as part of an equity deal with ESPN, Sports Business Journal reported.  The report dubbed YouTube the “early leader” for the package, though there are still several parties reportedly interested in it.  The four games in the package were part of the recently greenlit deal between ESPN and the NFL that will see the former take ownership of NFL Network while the league gets a 10 percent stake in ESPN. Bar patrons watch the YouTube TV telecast of the game between the Kansas City Chiefs and the Los Angeles Chargers on September 05, 2025 in Buffalo, New York. Getty Images It wasn’t immediately clear what games would be part of the package, though one could envision that some of the league’s international games could end up on the digital platform.  “Beyond an international element, other games that could go to YouTube could be for exclusive windows elsewhere on the calendar, such as later in the season when streamers such as Peacock or ESPN+ have picked up games in the

By Ed Desser and John Kosner 02.23.2026 Every generation has its sports TV destination. In the 1960s, the three broadcast networks held sway. Then the NFL, Fox, ESPN and, recently, Amazon got on the map. Older demos might see YouTube as “just” a video search engine, but younger fans know better. YouTube is a constantly updating selection of everything we search for and can imagine watching. Having already revolutionized TV … it’s just getting started as the next ”SportsCenter.” Over the past 21 years, young fans (and athletes) have grown up with YouTube — habituated to free, always-on access to sports videos, curated by Google’s algorithms — and been inspired to create their own. It’s essentially a customized TV network programmed just for you. No wonder YouTube has a massive 13% share of all viewing, per Nielsen Gauge — more than any other network or platform, and many of the leading programmers combined. Now with the help of AI, a mighty flywheel is at play. It may enable the ultimate: true personalization for every sports fan. Already, YouTube has the: Audience: 2 billion-plus daily users, annually consuming 40 billion sports content hours. Its audience is global and young. Creators: Thousands

On Monday, HubSpot Media, the in-house media division of the enterprise software firm HubSpot, acquired the creator-led entrepreneurship publication Starter Story, Jonathan Hunt, vice president of media and content at HubSpot, confirmed to ADWEEK. Hunt did not disclose the terms of the deal. Starter Story, which was founded in 2017 by software engineer Pat Walls, has evolved into a video-first media brand with more than 800,000 YouTube subscribers, a 275,000-person newsletter, and a total audience of roughly 1.6 million across platforms. It is profitable and generates a “seven-figure” revenue, according to founder Patrick Walls. The business is run by a team of three full-time staff: Walls, his sister and chief operating officer Sam, and producer Gus Tiffer. Under the deal, all three will join HubSpot Media, which includes brands such as The Hustle, My First Million, and Mindstream. The deal is the latest sign of the surging interest from media companies in popular YouTube channels.  Publishers including Vox Media and ESPN have signed deals with prominent YouTube creators in recent months, while media startups, like Dynamo and NewPress, increasingly use the platform, rather than a traditional website, as their base of operations. The trend comes as interest in video products

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The NFL is widely expected to begin negotiations for a new set of media rights deals as early as this year, and we’re now getting some details as to how those negotiations might play out. What’s already known is that the league will have to court all of its current broadcast partners. The NFL’s active contracts allow the league to opt out in 2029 at the earliest. That means in order to get new deals done before then, the league needs its current partners in CBS, Fox, NBC, ESPN, and Prime Video to be on board. The goal, of course, is to meaningfully increase the revenue the league earns from its media rights. Currently, the NFL makes about $10 billion per year selling broadcast rights to networks and streamers. But according to a recent report by Puck’s sports correspondent John Ourand, Wall Street analysts anticipate the league could double the average annual value of its media deals, bringing its annual media revenue closer to $20 billion. That’s a tough bill for legacy broadcasters to afford. CBS, Fox, NBC, and ESPN are still reliant on the terminally declining pay-TV bundle to keep their businesses afloat. Asking these networks to double their

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