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After a seven-year hiatus that felt longer than a winter in the Arctic, AMC’s prestige horror anthology is finally back to remind us that being trapped in a room is much worse than being trapped in the tundra. “ The Terror: Devil in Silver” officially premieres on May 7, 2026 , on AMC+ and Shudder, with a linear run on AMC to follow later this year. This six-episode descent into madness moves the franchise away from historical shipwrecks and internment camps, landing squarely in the claustrophobic nightmare of a modern psychiatric ward.  One Way Ticket to Hell Based on the 2012 novel by Victor LaValle , the season follows Pepper ( Dan Stevens ), a working-class man whose “bad luck and bad temper” land him in New Hyde Psychiatric Hospital. Pepper quickly realizes that New Hyde is where society sends the people it wants to forget. Between the gaslighting doctors, the hostile patients, and a mysterious entity known as “The Devil” lurking in the shadows, Pepper’s struggle isn’t just about escaping—it’s about surviving a hellscape where the monsters might be more than just metaphors. Meet the Showrunners: Victor & Chris This season’s creative DNA is a high-octane mix of literary

Without a score, without music, movies and TV series wouldn’t be the same. After all, it shapes impressions, influences a scene’s vibe, and lends emotion. One great example of that is the killer soundtrack for Ready or Not 2: Here I Come. The composer behind the blend of ’80s and dark instrumentals is none other than Sven Faulconer. He’s also the composer of the soundtrack for Scream VI. I sat down with Sven to discuss the soundtrack, how music shapes emotion and scenes, and so much more. He filled us in on his process and told us some stories. Ready or Not Unless you’ve been living under a rock somewhere, you’ve probably already seen the trailer for the batshit crazy (in the best possible way), brutal movie. A “Must See” Ready or Not 2: Here I Come, a must-see, sees the stakes leveled up from “deadly in-laws” to “shadowy global cabal.” Our favorite bride (Samara Weaving) is back, but this time she’s dragging her sister, Faith (Kathryn Newton), along for the ride. Chained together, the duo must survive a new game of Hide and Seek to win a seat on the “High Council.” Directors Radio Silence (Matt Bettinelli-Olpin and Tyler Gillett) are

Fresh Lobster Rolls, Bake Stuffed Lobster with Lobster Newburg, and Prime Rib are all on special this weekend at Brady's!! Come on down and see what's cooking. New menu rollout Tuesday!! See ya there!

We see hundreds of horror films released every year, so when one that shares a fresh story with plenty of scares, I get excited. That’s the case with Dream Eater, which just landed on Digital. One thing (of many) that makes the film stand out is that it is truly a team effort. A trio of filmmakers wrote, directed, and starred in the movie: Jay Drakulic, Mallory Drumm, and Alex Lee Williams. I had the pleasure of interviewing them today. Not only are they incredible filmmakers, but they also seem like really great people who are passionate about the genre. So, Dream Eater follows documentary filmmaker Mallory (Mallory Drumm) and her boyfriend Alex (Alex Lee Williams) as they retreat to a remote cabin deep in the snowy mountains for a holiday. Mallory begins to document Alex’s severe and violent parasomnia (sleepwalking). As Alex’s condition quickly deteriorates, Mallory suspects the cause is something far more sinister than a mere sleep disorder. She begins digging into Alex’s shadowy past, unraveling a decades-long mystery steeped in deep trauma and the occult. As relentless darkness closes in, an ancient evil awakens, plunging the couple into a spiral of madness and horror. The film gets

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Trending on Billboard What makes music streaming services distinct from one another? In the early years, the answer was easier. Back then, exclusive releases were common. Jay-Z, for example, made that a core reason to subscribe to Tidal. Apple Music had its own special drops, including Frank Ocean‘s Endless, the visual album he used as a smart tool to quickly fulfill his label contract before dropping the self-released Blonde, also on Apple Music, one day later. Related After that, however, exclusive drops have largely ceased to exist, forcing top competitors like Spotify, Apple Music, Amazon Music and others to search for new differentiating factors. Spotify, for example, bolstered its service with valuable other offerings, like podcasts and audiobooks. It also launched a number of shareable music discovery concepts like Daylist, Wrapped and AI DJ. Apple Music expanded radio shows from personalities, like Zane Lowe. It also leaned into its standing as one of the world’s biggest technology and hardware companies to create features, like Spatial Audio, that encourages both a high quality streaming experience and a reason to try their myriad of headphone offerings. Still, it remains a never-ending challenge for music streamers to find ways to stand out from

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Back in the days of pre-enshittified Tumblr, there was a blog called Pop Culture Died In 2009. The now-dormant account, run by blogger Matt James, dug into his mom's back issues of Star Magazine and the remnants of Web 1.0 gossip sites on the Internet Archive to surface old tabloid covers, ill-begotten paparazzi shots, and other quietly forgotten but deeply influential ephemera of 2000s pop culture. Like many Tumblr blogs, it had a hyperspecific audience: everyone who can conjure, from memory, one specific tabloid photo of Britney Spears, Paris Hilton, and Lindsay Lohan together in a car.  In other words, its audience was Catherine Garner, better known as Slayyyter. She's an avowed fan of the blog — which isn't surprising, given that she seems to have existed everywhere else in the online music world. As her stage name suggests, she comes directly from Stan Twitter: Before becoming a musician, she ran One Direction and Fifth Harmony stan accounts called @harrys_anaconda and @camilkacowbello. She spent so much time on early-oughts Tumblr that her recent single "OLD FLING$" was premiered by the Tumblr editorial team — I didn't know Tumblr even had an editorial team anymore. If she'd come up during the

Both sets went past the 1:00 a.m. curfew on Friday and Saturday of the desert festival's second weekend. Justin Bieber performs at the Coachella Stage during the 2026 Coachella Valley Music and Arts Festival at Empire Polo Club on April 11, 2026, in Indio, Calif. Kevin Mazur/Getty Images Trending on Billboard Goldenvoice, the promoter of the Coachella Valley Music and Arts Festival, is facing more than $40,000 in fines after running over time on weekend two of the desert festival, a representative of the City of Indio has confirmed with Billboard. The festival was charged for going past the 1:00 a.m. curfew set by the city, where the festival has been held since 1999. Related While the first weekend of the festival obeyed the curfew, weekend two went over on two days, as first reported by TMZ . On Friday night (April 17), Anyma’s midnight sent went on until 1:09 a.m., which cost the festival $24,000 in fines. And on Saturday (April 18), Justin Bieber’s headlining performance went over by two minutes, costing an additional $20,000. Coachella has a long-running agreement with Indio city officials that the festival end at 1:00 a.m. each Friday and Saturday night and at 12:00

Photo: Fru*Fru Europe 1600-1815 Galleries, The Salon, Room 4 In a series of performances, Fru*Fru bring to life three different futuristic bathroom situations, performed within a technological set. Eurasic Bath sees the overlapping of culture and technology, building an Eurasic identity of intimacy and consumption. The use of technology in these future imagined bathrooms promotes the creation of fuzzy identities by turning intimate spaces into performance stages. Fru*Fru consists of the duo Rosana Galián and Paula Vilaplana. Their work explores domesticity, media formats and contemporary mass media languages. It includes performances, management of events and research.